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This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.
Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.
Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.
Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.
The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.
New to the fifth edition
* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens - including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scène, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette
- Sales Rank: #200542 in eBooks
- Published on: 2013-02-11
- Released on: 2013-02-11
- Format: Kindle eBook
Review
"This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics.
So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." - Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square.
"While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis- Cherrier's firsthand experience allows them to describe the day- to- day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning- by- doing method makes this across- the- board introduction accessible, practical and surprisingly entertaining."
- DGA Quarterly, http://www.dga.org/Craft/
Praise for the fourth edition
"Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must."
-Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge
"As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market."
-Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College
"A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft….For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer
Praise for the 3rd Edition:
"This is the single most valuable guide for both novice and seasoned practitioner…The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University
"This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute
About the Author
Michael Rabiger has directed or edited over 35 films, was Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in many countries. He is the author of Developing Story Ideas (Focal Press), and the enormously successful Directing the Documentary (Focal Press), now in its fifth edition.
Mick Hurbis-Cherrier teaches filmmaking at Hunter College in New York City. Professionally, he has worked as a screenwriter, director, cinematographer, and editor and his films have garnered prizes at numerous festivals. He is the author of Voice & Vision: A Creative Approach to Narrative Film and DV Production, in its second edition (Focal Press).
Most helpful customer reviews
9 of 9 people found the following review helpful.
Excellent book!
By George Larkin
Cut! The most comprehensive book ever assembled on the subject of film directing has just been published by Michael Rabiger and Mick Hurbis-Cherrier.
DIRECTING FILM TECHNIQUES AND AESTHETICS (Fifth Edition), a massive, monumental work, encompasses everything you've ever wanted to know about directing a movie. This thoroughly researched manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. The new revised edition has been updated and re-organized for a more streamlined and integrated approach. All illustration graphics are new. Film examples and references are completely updated and expanded, and virtually every detail has been modernized to embrace cutting-edge techniques. Somewhere, a youth is making his or her first film using a cell phone video camera. Buy him or her this new book and you may be launching the next Steven Spielberg or Anne Fletcher.
Two top industry professionals provide the backbone for this colossal compilation of conversations about the artistic process: Michael Rabiger and Mick Hurbis-Cherrier. Michael has directed or edited more than three dozen films and was Chair of the Film/Video Department at Columbia College Chicago. Mick teaches filmmaking at Hunter College in New York and has won numerous festival prices as a screenwriter, director, cinematographer, and editor. Together, they outlay eminently practical tools and exercises that show fledgling filmmakers how to fine-tune credible and compelling stories, manage casts and crews, and create films with a distinctive voice and style.
For the cost of three tickets to a current blockbuster movie, readers will acquire 2.4 pounds of material spread over 517 pages that comprise 8 sections subdivided into more than a hundred attractively illustrated chapters. The Table of Contents alone overfills 14 pages! The 8 core sections include:
The Director and Artistic Identity
The Story and Its Development
The Director and the Script
Authorship and Aesthetics
A Director's Screen Grammar
Preproduction
Production
Postproduction
Back matter includes an eight-page Filmography and a thirty-page Index. From starting out and shaping a plot to editing a rough cut, mixing music and sound, and mastering a final distribution copy, the budding director who studies and learns the content of this book will become a virtual encyclopedic authority on filmmaking. After absorbing the knowledge in this book, even a wannabe outside the movie industry could hobnob with the experts at a film festival and discuss the ins and outs of every nuance of the craft with Academy Award-winning veterans.
Available in both print and Kindle editions. Genuine Hollywood hatchlings should probably buy both versions because they will wear out the paperback edition after spending hundreds of hours pouring over the massive elements packed to the point of overflowing the front and back covers.
Realize your dream. Become the master of the human, psychological, and technical aspects of the world's most spectacular artistic craft. DIRECTING FILM TECHNIQUES AND AESTHETICS (Fifth Edition) energizes your innate talent and imbues you with the invaluable information you will need to move the spotlight from Griffith, DeMille, Ephron, or Tarantino to you.
11 of 12 people found the following review helpful.
An absolutely indispensable guide to ripping down the veil that covers the process of creating a film
By Bookreporter
If you love reading, you should have a copy of DIRECTING sitting on your bookshelf. One might find it strange that I would recommend a book that covers film directing from A to Z and back again, to an audience of literature aficionados. Bear with me, though: if you have ever found yourself totally lost in a novel or film and asked yourself, "How did the author/director do that?!" DIRECTING will answer that question and much, much more.
I originally was attracted to this book as a tool for my younger daughter, a budding film producer. The subtitle --- "Film Techniques and Aesthetics" --- is a bit dry and, to be honest, doesn't quite include everything that this exhaustive, 500-page delight covers. The table of contents is 13 pages all by itself, starting with an overview of who a director is and what a director does, and moves on to scripting, pre-production, casting, dealing with actors, camera shots, the dreaded post-production, and everything else in between. DIRECTING is also paired up with a website (www.directingbook.com) that supplements and previews the book.
If you have a concept but don't know where to start, DIRECTING will lay down a breadcrumb on the first step and keep dropping them all the way through a very interesting and complex forest. While it does this, it presents examples of what is being discussed from any number of films, including many of which you may be totally unfamiliar. If you're in the mood to watch something different, open up the book at random and you'll find something. Have you ever heard of a movie called 4 Months, 3 Weeks and 2 Days? I hadn't until just now, when I found it mentioned in a section dealing with "Real Time and Expanded Time." You won't find such examples on every single page, but there are enough to keep you busy for the rest of your life, if you want to use it as a movie guide.
I would say, though, that if you'd like to do anything from filming a five-minute video that you're going to put on YouTube to a project that you want to submit to a film festival, DIRECTING will show you how the job gets done. And readers? You will gain a new appreciation for how your favorite authors do what they do, and why the film adaptation of your favorite book met your expectations. Or otherwise.
While this is not the type of book that one sits down and reads cover to cover, even the most casual browser will be intrigued by its subject matter and, at the very least, will come away from it with a new appreciation for what the director of a film does, from concept to realization. For those bitten by the directing or even acting bug, it is that mentor who will never lie to you, but will instead demonstrate how those 60 or 90 minutes on-screen are the product of hundreds of hours of work. DIRECTING is an absolutely indispensable guide to ripping down the veil that covers the process of creating a film. And it is so much more as well.
Reviewed by Joe Hartlaub
7 of 8 people found the following review helpful.
Great Resource for Filmmakers
By Shelia M Goss
As a screenwriter who wants to learn the entire process of filmmaking, I found the book Directing: Film Techniques and Aesthetics by Michael Rabiger & Mick Hurbis-Cherrier to be very informative. The contents page at the front of the book made it real easy for me to go back and refer to specific topics I needed more information on. As a screenwriter, Part 2: The Story and Its Development and Part 3: The Director and The Script, I found helpful. The book covers every thing from the pre-production phase to post production. Basically anything you want to know about any of the steps during these phases are included in the book.
I recommend this book for directors, producers and screenwriters. This is a great resource book for anyone who is interested or working in the filmmaking industry.
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