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Fountain of St. James Court; or, Portrait of the Artist as an Old Woman The: A Novel, by Sena Jeter Naslund
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New York Times bestselling author Sena Jeter Naslund explores the artistic processes and lives of creative women in her groundbreaking literary opus The Fountain of St. James Court; or Portrait of the Artist as an Old Woman.
Sena Jeter Naslund's inspiring novel-within-a-novel depicts the lives of both a fictional contemporary writer and a historic painter whose works now hang in the great museums of Europe and America.
The story opens at midnight beside a beautifully illumined fountain of Venus Rising from the Sea. Kathryn Callaghan has just finished her novel about painter Élisabeth Vigée-LeBrun, a survivor of the French Revolution hated for her sympathetic portraits of Marie Antoinette. Though still haunted by the story she has written, Kathryn must leave the eighteenth-century European world she has researched and made vivid in order to return to her own life as an American in 2012.
Naslund's spellbinding new novel presents the reader with an alternate version of The Artist: a woman of age who has created for herself, against enormous odds, a fulfilling life of thoroughly realized achievement.
- Sales Rank: #526617 in eBooks
- Published on: 2013-09-17
- Released on: 2013-09-17
- Format: Kindle eBook
From Booklist
In a lively and pointed variation on James Joyce’s A Portrait of the Artist as a Young Man, popular and conceptually adventurous Naslund (Adam & Eve, 2010) portrays two women artists in a novel-within-a-novel. Successful writer Kathryn Callaghan lives in present-day Louisville, Kentucky, in a lovely, old neighborhood surrounding a fountain depicting “Venus Rising from the Sea,” a graceful embodiment of the novel’s inquiry into the obstacles confronting women artists. Battered by her third divorce yet buoyed by her neighbors and friends, Kathryn completes a novel about the brilliant and resolute French painter Élisabeth Vigée-Lebrun (1755–1842). After surviving childhood loss and a disastrous marriage to become a renowned portraitist, Élisabeth is forced into exile for her friendship with Marie Antoinette (the subject of Nasland’s novel, Abundance, 2006). It’s a challenge to match the powerfully rendered drama of Élisabeth’s historic struggles with Kathryn’s subtler suffering, and Naslund—who has Kathryn admire Virginia Woolf while striving to write “accessible” fiction—veers into contrivance and sentimentality. Still, this is an incisive and keenly pleasurable novel about women artists overcoming adversity to create “joyful work” that celebrates life’s beauty and wonder. --Donna Seaman
Review
“[A] lively and pointed variation on James Joyce’s A Portrait of the Artist as a Young Man…this is an incisive and keenly pleasurable novel about women artists overcoming adversity to create “joyful work” that celebrates life’s beauty and wonder.” (Booklist on THE FOUNTAIN OF ST JAMES COURT)
Sena Jeter Naslund’s eloquent language, her mastery of technique have the power to transport readers from the inner turmoil of a successful contemporary writer to the harsh realities of life among the splendor of eighteenth-century French society. The lyrical, poetic rendering of her prose is magical. (Alabama Writer's Forum News and Reviews on FOUNTAIN/PORTRAIT)
“[U]nexpectedly addictive. Naslund once again creates memorable characters, surprising scenarios and astute notions on living life with intention.” (Seattle Times on FOUNTAIN/PORTRAIT)
From the Back Cover
"Is it a crime to live? To create happiness for yourself through your own work?"
How do writers and painters get their ideas? And what are the hard realities of such seemingly glamorous and romantic lives? In her groundbreaking new novel, New York Times bestselling author Sena Jeter Naslund explores the transformative power of art, history, and love in the lives of creative women.
It's midnight on St. James Court, at the heart of which is a beautiful fountain sculpture of Venus rising from the sea. Kathryn Callaghan has just finished the first draft of her novel about renowned painter Élisabeth Vigée-Le Brun, a survivor of the French Revolution who was hated for her sympathetic portraits of Marie Antoinette. Although the manuscript is complete, its author remains haunted by Élisabeth's experiences, which are revealed in Sena Jeter Naslund's ingenious novel-within-a-novel interleaved with the chronicle of a day in the life of Kathryn Callaghan. Despite being separated by time, place, and culture, Kathryn and Élisabeth possess similar gifts and burdens: uncompromising aesthetic codes, fierce pride in their artistic expression, and unwavering love and sacrifice for their children. And before the next midnight rolls around, Kathryn will have confronted personal danger as frightening as the butchery that Élisabeth faced during the Reign of Terror. Each woman will be called upon and tested; each will, like Venus, rise triumphantly above the expectations of her world.
In this, her compelling and intimate ninth book, Sena Jeter Naslund presents the reader with an eye-opening alternate vision of The Artist: not an angry young man but a woman of age and hard-won experience who has created for herself, against enormous odds, a fulfilling life of thoroughly realized achievement.
Most helpful customer reviews
18 of 18 people found the following review helpful.
A novel-in-a-novel about the crossroads between art and artist's lives
By Bookreporter
A couple of years ago, a friend of mine was on a kick of reading novels set in a single day. I wish Sena Jeter Naslund's latest, THE FOUNTAIN OF ST. JAMES COURT; OR, PORTRAIT OF THE ARTIST AS AN OLD WOMAN, had been published back then, as it would have fit the bill perfectly. Plus, it has the added element of being a novel-within-a-novel, also always appealing to those of us who love books and reading and challenging plots.
Here Naslund sets a historical novel --- a sort of fictionalized autobiography of the 18th-century French artist Elisabeth Vigee-Lebrun --- within a contemporary novel that takes place in a single day. The protagonist of the contemporary novel, Kathryn Callaghan, is the author of the other one. She has just finished the manuscript and dropped it off with her lifelong friend Leslie, who has recently moved to the Louisville, Kentucky, neighborhood of the book's title. The idea here is that we are reading Kathryn's novel at the same time Leslie is.
Either part of Naslund's novel could have been called PORTRAIT OF THE ARTIST AS AN OLD WOMAN. Ryn isn't old, exactly, but is definitely getting up there in years and is unsure whether and how to move forward following completion of this most recent manuscript. She has lived through three failed marriages, the most recent of which ended within the last two years, and is tentatively ready to move on. But as she travels throughout her day, she finds her mind moving backwards in time more than forward, reflecting on those relationships that defined her life --- not only her romantic relationships but also (and particularly) the relationship with her son, Humphrey.
Humphrey is now grown and living with his husband in Sweden, much to Kathryn's simultaneous relief that Humphrey has found a nice partner and regret they're so far away. And a good thing, too, since Humphrey's abusive ex-boyfriend, Jerry, appears to be making an unwelcome appearance back in the seemingly tranquil atmosphere of Old Louisville.
This rising suspense is set alongside the even more turbulent life events of Elisabeth Vigee-Lebrun, the subject of Kathryn's recently completed novel. Having had her talent identified at an early age by her father (who dies while Elisabeth is still a child), Elisabeth is emboldened to pursue her art at a time when few female painters were recognized or celebrated. Ryn's first-person narration of Elisabeth's life is rather formal and could grow tiresome if not broken up as it is here, but the drama of her life and her friendship with Marie Antoinette (the subject of Naslund's earlier novel, ABUNDANCE) is undeniable.
Naslund's title is obviously a homage to James Joyce, but in reality, her novel is much more a tribute to the work of Virginia Woolf, particularly MRS. DALLOWAY and TO THE LIGHTHOUSE, both of which are referenced numerous times in the contemporary portions of the book. What factors in a woman's life enable her to pursue art? the novel considers. And how have those factors changed --- or not --- in the more than 200 years between Elisabeth's maturation as an artist and Ryn's maturation as a writer? Depending on their tastes and sympathies, readers are likely to respond more to one portion of this novel-within-a-novel than the other. Still, any reader who has considered the intersection of art and (women) artists' lives will find something that speaks to her here.
Reviewed by Norah Piehl
9 of 9 people found the following review helpful.
Love Sena Jeter Naslund
By Rikhit Arora
First, I LOVE this author and have read many of her books. Ahab's Wife is one of my all time favorite books by any author. So I was anxiously awaiting this new book. I read it, and enjoyed the descriptions, and the characters, and the complexity - but it feels a teensy bit "navel-gazing" and autobiographic in a self important kind of way. To give the author the credit she is due, it is entirely possible that I am missing some deep point she is intending with this introspective, slightly defensive (???) mood, but for me it was off-putting.
14 of 16 people found the following review helpful.
A Hard Read
By WestMetroMommy
Review originally published on my blog at westmetromommy.blogspot.com
2.5 Stars
I have to be honest...this book was a chore for me to read. There is much to commend this book. Naslund has a beautifully poetic style and a very introspective point of view. I also really loved the "within" story of Elisabeth Vigee-LeBrun. I think if this book had just been that story, this would have rated among the best books I've read this year.
For me the problem was with Kathryn's story, which is the more substantial of the two storylines. I was never able to connect with Kathryn and, frankly, I felt that nothing really happened in her part of the book. While I enjoy character-driven novels, I do think there should be some plot and that seemed to be missing with Kathryn.
Part of my inability to relate to Kathryn might be circumstantial. She is a 70 year old woman and most of her story is about her looking back on her life. I still have a few decades to go before I reach that point so I just couldn't find any anchor with her. I am planning to have my mother, who is much closer to Kathryn's age, to give this book a try to see if her experience differs from mine.
This is not a book that would turn me off any other works by Sena Jeter Naslund--as I said, I found her prose to be just lovely. But this one was really an uphill battle for me.
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