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In this remarkable collection of essays, acclaimed writer Brian Doyle offers “resurrections, restorations, reconsiderations, appreciations, enthusiasms, headlong solos, laughing prayers, imaginary meetings with most unusual and most interesting men.”
Geographically and chronologically diverse—Plutarch of Greece; William Blake of England; Robert Louis Stevenson of Scotland; James Joyce and Van Morrison of Ireland; and others—Doyle sees them as men of “immense spiritual substance, prayerful fury, enormous grace,” men concerned with “the moral grapple” and “the sinuous crucial puzzle of love.” In telling the stories of these talented, troubled, and extraordinary men, Doyle discerns clues about how to be a good man, headlong in the pursuit of love and capable of greatness.
- Sales Rank: #1264976 in eBooks
- Published on: 2004-01-25
- Released on: 2012-07-31
- Format: Kindle eBook
Review
Brian Doyle's ability to praise without fawning, his Irish ear for lyric and wit, and his nose for the mythic dimension of Everyman lend these portraits a collective power I associate with fine novels. Doyle is a master of what jazz players call polytonality. His portraits of Morrison and Desmond are worthy of Plutarch; his Plutarch is worthy of Stevenson; his Stevenson doubles interest in Haggard; his nobodies share traits of his Greats and his Greats delight us with their nobodiness. In an era of critical portraits bent on stripping men of genius down to their Homer Simpson idiocies and boxer shorts, these intricate celebrations of flawed but genuine heroes are a delight. (David James Duncan, The author of The Brothers K and The River Why.)
Among these splendid essays my two favorite were about encounters with the poet Billy Blake, and the equally astonishing Van Morrison. Or, perhaps, they were all favorites, they are so full of Brian Doyle's energetic language, his vibrancy, his loving adventures into friendship and admiration. (Mary Oliver, The author of American Primitive)
About the Author
Brian Doyle is the editor of Portland Magazine. His work has been published in The Atlantic Monthly, The American Scholar, Harper's, Christian Century, Commonweal, and America. His previous collections include Leaping and Saints Passionate and Peculiar, and he is the editor of God Is Love: Essays from Portland Magazine.
Excerpt. © Reprinted by permission. All rights reserved.
Introduction
Where Holy Lives
This book is a collection of resurrections, restorations, reconsiderations, appreciations, enthusiasms, headlong solos, laughing prayers, imaginary meetings with most unusual and most interesting men.
I wanted to bring these men back to public life, in most cases, or closer to the public eye, in others--to draw them from the shadowy corners of the room and beam a grinning light on them, to sing their stories, to see them fresh and new; and to see them too as very often men of immense spiritual substance, prayerful fury, enormous grace, wonderful attentiveness to miracle: in other words, devout men, in the most real and serious and smiling sense. Men very often concerned in their work and lives with the moral grapple, with the sinuous crucial puzzle of love, with the wonderfully mysterious ways that song and story stoke and spark the heart; which is, as you know and I know, where holy lives.
Why men? Why not women? Or children? Or herons or sea otters or damselflies or holy oaks?
Because I am a man, and absorbed by the idea that somehow I might learn how to be a good man, maybe even a great man, before I shuffle off this mortal coil, and something about each of the men in these pages teaches me about being a man: William Blake’s relentless eye for the holy, Robert Louis Stevenson’s passion and mercy, Van Morrison’s endless journey toward wonder and rapture, Paul Kelly’s enduring empathy for the ragged brokenness of his fellow human beings, Rider Haggard’s idea of honor and friendship as forms of love, Plutarch’s insistence that each man has moral greatness within him like a divine seed.
Each of these troubled talented extraordinary artists fascinated me enough to commit an essay about their lives and works. Maybe in another book I will commit such misdemeanors about Annie Dillard and Flannery O’Connor and Rosemary Clooney and Bonnie Raitt and Willa Cather and the great modern Irish poet Nuala Ni Dhomhnaill who hardly anyone has heard of but whose wild honest lusty poems buckle my knees. That would be yet another way to learn about being a good man, if you consider, as I do, that one very fine way to learn about men is to study women studying men.
I’d guess that half the readers of this book are men interested in the shifting threads of greatness in other men, and the other half are women, even more interested in the rich mystery of the characters of men.
Look: We are all, male and female alike, absorbed by what we might be at our best. We are all chasing after the mysterious nutritious song of the Creator. We are all riveted by art, by how human beings mill their unique and idiosyncratic talents into stories and songs and paintings and dances and sculptures and photographs and plays and films and moments that break your heart, make you howl with laughter, make you sense, for a brief and stunning moment, how brave we are, how foolish, how brief, how holy.
So this is a book of resurrections and resuscitations of ten men from the vast soup of human beings before and concurrent with you and me. To my mind these are men of eye-popping accomplishment and character who are overlooked, half-forgotten, sentenced to hagiography, or stashed lifeless in the canon rather than seen as very much alive, very much the sorts of people you’d happily sit and talk with over a pint of good ale. If the reader feels a spark of increased affection or respect or fellow-feeling for the subjects here after reading my accounts of them, I will be delighted. I have spent many happy days and nights in their company, chatting gaily with Stevenson over a bottle of Bordeaux, arguing about the nature of character with Plutarkos, talking at length with Jim Kjelgaard about the intricate lives of weasels and mink, watching Mister Blake’s flashing eyes as he talks of his visions of Christ, listening to Mister Morrison’s roaring holy poetry, listening to Paul Desmond tease gently about the memoir that he may or may not have written, and on and on.
The one profile subject here you would have no occasion whatsoever to know is the late Bob Boehmer of Oregon, but Bob was the most literary and devout man I ever met, and a really wonderful storyteller, and I include him here because he was my dear friend, because I miss him ferociously, and because I’d really resurrect him if I could. I can’t do that, so I tell you something of his hilarious and sweet story, as a sort of prayer for his soul, now traveled beyond my ken.
Bob also seems to me a very fine example of the millions of quiet men and women who are great brave fascinating kind-hearted colorful funny hard-working hard-praying tale-tellers, and by sharing some of his long story I want to celebrate and sing so many who live and die and pray generally unremarked by the world.
We are all storytellers, after all--that, and the headlong pursuit of love, which is the holiest thing of all, and the greatest gift, and the most eloquent proof of God, is what makes us human beings, capable of greatness.
Most helpful customer reviews
9 of 9 people found the following review helpful.
These are stories of talented, troubled, extraordinary men
By Midwest Book Review
Spirited Men: Story, Soul & Substance is a compendium of essays by Brian Doyle that focus upon a series of creative, influential, geographically and chronologically diverse men.. These are stories of talented, troubled, extraordinary men ranging from Plutarch, William Blake, Robert Louis Stevens, James Joyce, H. Rider Haggard, Jim Kjelgaard, Van Morrison, Paul Desmond, Graham Greene, Paul Kelly, and Bob Boehmer. The one thing each of these unusual men had in common was their pursuit of spirituality and their capability for greatness. Spirited Men is inherently fascinating reading and Brian Doyle is an expert in telling the individual and dramatically different biographical stories that give the reader clues as to how to me a good man, to search for love, and to be capable of spirituality in a complicated world.
3 of 3 people found the following review helpful.
Wonderful!
By Armchair Interviews
Author Brian Doyle is a man of fine words who has written about 11 other men of fine words--authors or musicians and songwriters.
This is really a man's (man's) book about what it means to be a man. The author says in his introduction: This book is a collection of resurrections, restorations, reconsiderations, appreciations, enthusiasm, headlong solos, laughing prayers, imaginary meetings with most unusual and most interesting men.
The author brought these men to life: Van Morrison, William Blake, Pultarch of Greece, Robert Louis Stevenson, Rider Haggard, Paul Desmond, Jim Kjelgaard, Graham Greene, James Joyce, Paul Kelly--and finally a special friend, Bob Boehmer.
Doyle writes about British writer Graham Greene, that he wrote about hearts--that was why he was a great novelist, with his great sub-sub-characters.
Writer Rider Haggard, who wrote stories for young adults about animals and boys and forests, is quoted as saying, "I started writing because it seemed just naturally to be heading in that direction anyhow."
As more of a jazz fan than a lover of the literary, I especially enjoyed the section on Paul Desmond, the amazing alto saxophone player known for his many years playing and traveling worldwide with the Dave Brubeck Quartet--and his own musical creations, such as "Take Five." Before Desmond died in 1977 at age 52 of lung cancer (ironic because he drank a lot and his liver was fine)--he decreed that the American Red Cross benefit from sales of his recordings and compositions. In the years since, the American Red Cross has received more than $3 million from his generosity.
Because of Doyle's focus on these men, I believe a man who loves to read about great men will really appreciate knowing more about these both common and--I sure did. That's powerful stuff!!
Armchair Interviews says: In Spirited Men: Story, Soul & Substance, Doyle's digging out of facts, both interesting and thoughtful, was incredible. His own writing is first-rate as he writes about these men, some of ancient and others of more current history.
1 of 1 people found the following review helpful.
Spirited Men
By Sandcastle511
Brian Doyle recently introduced me to some of the most incredible, remarkable, noteworthy gentleman I have ever had the pleasure to encounter. I say this ruefully, because in reality when we met in a choral room beneath the arched grandeur of the Cathedral of the Madeline I only managed to embarrass myself and walk away quietly with a signed poem for a friend of Catholic descent. I say all this because Spirited Men is a walk with some of the finest people I have never met. They are diverse, deep and diligently indicative of all that is noteworthy of manhood and the honest pursuit of it. It is not that it is difficult to sing praises of Doyle's writing, but rather that juxtaposed there is nothing I can currently note as effulgently and sincerely as Doyle does. Sincerity. That seems to encapsulate the feelings I felt beneath the weighty grandeur of an edifice to divinity, sanctity, holiness. As well as the feelings I felt as I read the details of these Spirited Men. Sincerity is Holy. In Spirited Men you will meet Bob Boehmer, Paul Kelly, Jim Kjelgaard, Plutarch, Robert Louis Stevenson and several others. A smattering of writers, musicians and more, all of who are connected by shared substance and soul. One particularly poignant moment in the narrative is the examination of Doyle's rereading of Big Red as an adult. To readers who continued to approach literature long after it is required by public educators I would ask what was written that drew us back? For myself I can think of the individual stories and characters who I became intimately associated with through the printed page and Doyle's explication of this moment in my life was incredible. I love Doyle's writing.
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