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Did possessing and killing amount to the same thing deep within the dark recesses of the human beast?
La Bete humaine (1890), is one of Zola's most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control.
Zola considered this his `most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within.
This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #813979 in eBooks
- Published on: 2009-01-29
- Released on: 2009-01-29
- Format: Kindle eBook
Review
see record 3842
Language Notes
Text: English (translation)
Original Language: French
From the Back Cover
Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), the seventeenth novel in the Rougon-Macquart series, is one of Zola's most violent and explicit works. On one level a tale of murder, passion, and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Worth the while.
By Angry Mofo
Initially, I gave La Bete Humaine five stars, but after some thought downgraded it to four. It's quite good, and in parts downright spectacular, but in all honesty it doesn't rank on the same level as the monolithic L'Assommoir, Germinal and Nana. The problem lies with the premise. In the three aforementioned novels, the characters were all basically ordinary people. This made it easy to be pulled into their emotional struggles, and made for unspeakably captivating reading because it was so easy to see how _real_ and _human_ they were. I stood behind L'Assommoir's Gervaise all the way, _literally loudly yelling_ as I accompanied her to L'Assommoir's inevitable conclusion.
I did not have the same reaction in La Bete Humaine. The protagonist is an "ordinary person," except he's afflicted with a mental disorder that makes him want to kill women. And thus, all his character development works to develop that one unfortunate aspect of his personality. I could not get inside his head. I could not see reality in his emotional struggle. To be frank, his moral dilemmas seemed very much invented by Zola, as opposed to taken from life. Admittedly, they were very elaborate inventions and _still_ made for captivating reading - that's why I'm still giving it four stars. Gervaise is a real character. Jacques Lantier is a writer's invention.
I would, however, deem it necessary for you to read La Bete Humaine, if only for one scene - the train wreck. That is one of Zola's most powerful scenes ever. It is really quite amazing. As I read, I saw and heard it happen, and I rallied behind the people that courageously stood up to the catastrophe just like I rallied behind Gervaise in L'Assommoir. It needs to be read to be believed. But the rest, I'm not too thrilled with in the end, and I didn't walk away carrying an image of any character from the book in my brain for days like I did after reading L'Assommoir, Germinal and Nana. So four stars it is. La Bete Humaine is a worthy member of the Rougon-Macquart series, and deserving of your time, but falls just short of greatness.
6 of 6 people found the following review helpful.
The runaway train on a one-way trip to nowhere
By A Customer
One of Zola's best and most famous works. There is something strangely fascinating about a murder where the killer escapes detection and punishment only to receive terminal treatment from another, totally unexpected source. When this happens twice in the same book, along with some tales of child abuse, a high-level cover-up, a sabotage attempt on a train in which virtually everyone is killed in the carnage except the persons targeted, a suicide, plus some assorted couplings outside of the marshalling yards, things get really interesting. What makes people commit such crimes? Here Zola really shows his skill in explaining his characters' motives and the dark, primeval forces that drive them. A pulsating, chilling story from beginning to end, full of unexpected twists, starting with the creation of a previously unknown member of the Macquart family as the novel's main character. Highly recommended for long train or air journeys.
5 of 7 people found the following review helpful.
Murder and lust on 19th century railways
By Nijik Sonata
A gripping story of murder and lust, of the dark side of human nature -- of the beast within. The most brilliant aspects of the novel are Zola's descriptions of trains and railways on the Paris-Le Havre line, around which all action from murder to love to jealousy to a magnificently described train wreck commences. The protagonist is a young engine driver Jacques Lantier in the 1870s, son of Gervaise (depicted in _L'Assommoir_) and half-brother of Nana. Jacques is never mentioned in the earlier novels as Zola only invented him later for a clear purpose in _La Bete Humaine_.
Jacques unfortunately is the most flagrant blemish of this novel. He is an obvious literary invention, an over-simplification, and perhaps some of the other characters too are simplified to a slightly lesser extent, but Jacques' tormented character is clearly psychologically unsustainable and more of a theoretical strawman than a fully developed individual. In contrast with _Germinal_, _Nana_, and _L'Assommoir_, this sacrifice of reality for tendency is also why _La Bete Humaine_ ends up lacking in the realistic depth of the mentioned novels. Some plot twists only add to the sense of lessened realism, especially when everything takes place in about a year's time, and it all takes away some of the sting of Zola's criticism of the powers that be. Nonetheless, _La Bete Humaine_, in its depiction of primeval murderous traits hiding underneath the educated sheen of modern 19th century society, buried deep in the thunderous rumble of railways, resonates in the recesses of human mind with its sinister tragedy.
Oxford World's Classics series version is the latest English translation of the novel. Zola's colloquialisms are rendered here well in a suitably colloquial English tone, although there are a couple of "blimeys", which are English enough to appear bizarre in a French novel, translation or not. 3 stars for the meat of the book: trains and railways.
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