Free PDF Draping Period Costumes: Classical Greek to Victorian: (The Focal Press Costume Topics Series), by Sharon Sobel
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One way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In those cases, designers need to know how to correctly drape a costume. Draping is also the best way to construct a period costume right from the start. The construction of garments in earlier centuries often constricted movement, especially in the area of the armhole. The very different size and proportions of contemporary people compared to those in previous centuries makes the use of period patterns difficult. A well-draped garment can give the impression of period accuracy while permitting the wearer greater freedom of movement. Having a mock-up pinned to the form in its early stages is quicker and easier to adapt than drafting a flat pattern, cutting it out of muslin and sewing it. It also provides the opportunity for greater creativity and adaptation as well as a better understanding of what fabric will and won't do.
In Draping Period Costumes, Sharon Sobel explains in step-by-step detail the basics of draping and demonstrates the use of those basic skills in the creation of a representative selection of period costumes from a variety of time periods. Chapters are broken into time periods and have two parts: an analysis of how clothing was made and worn during that specific time period, and detailed instruction on draping techniques to construct the costume. Copiously illustrated, images allow this visual audience to easily follow along with detailed instructions.
A part of the Costume Topics series, this book will be 256 pages, a snazzy 8.25 x 7.5 trim size, and spiral bound-a format consistently requested by our audience so that they can lay the book flat while working from it.
- Sales Rank: #547290 in eBooks
- Published on: 2013-02-11
- Released on: 2013-02-11
- Format: Kindle eBook
About the Author
Sharon Sobel is Professor of Theatre and Costume Designer at University of Nebraska at Omaha. She has designed and/or draped costumes for over 100 productions at her home institutions as well as at The Bermuda Festival, The Juilliard School, Brooklyn Academy of Music, Long Island Stage, New York International Fringe Festival, Queens Theatre in the Park, Connecticut Repertory Theatre, North Shore Music Theatre, Asolo Center for Performing Arts, Sarasota Opera, The Alley Theatre, Madison Repertory Theatre, Opera Omaha, Nebraska Repertory Theatre and Nebraska Shakespeare Festival. She has also designed and draped costumes for Ringling Brothers and Barnum and Bailey Clown College. Professor Sobel is a member of United Scenic Artists of America and recipient of the Kennedy Center American College Theatre Festival Gold Medallion.
Most helpful customer reviews
27 of 28 people found the following review helpful.
Finally the book I've needed!
By Linda W. Scribner
I have been teaching, building and designing costumes for over 30 years. In all those years, I have had to depend on contemporary fashion textbooks for teaching draping. Sharon Sobel's new book "Draping Period Costumes: Classical Greek to Victorian" is the textbook I have been looking for. It includes both male and female period designs, is based on solid pattern draping principles and is well illustrated with many good photographs. While there have been several excellent books on flat patterning for period costumes, this book allows you to understand the process from a draper's perspective, allowing for well fitting garments in your first test. It is not a book for non-sewers and assumes that the reader has a basic understanding of garment construction. However, it has excellent notes on the effect of grain line on the pattern, setting up a dress form for the right under structure and, may I say again, MEN'S costume patterns. If I could add anything to the book, it would be a section on trousers and skirts but since both are typically flat patterned or drafted, they don't really belong in a draping book.
I highly recommend it. I downloaded the Kindle edition before it was available in paper and find it easy to use on a tablet. My class will be using it in the Fall of 2013.
8/26/13 - just an additional note. I was so very excited by what is in the book that I overlooked the lack of sleeve patterns. It may be that, like skirts and trousers, sleeves are more commonly flat patterned. However, I do agree with another reviewer that they are very important. Perhaps in a 2nd Edition?
27 of 28 people found the following review helpful.
Misses the mark
By Matt Nunn
This book is a great concept as an educational tool, however, it misses the mark for a total recommendation. The introduction, draping guidelines, and step by step instructions are all very clear and easy to follow. It has lots of great color photos (albeit some a little dark at times). My biggest problem with the book is while it gives you sketches of each costume to be draped, the author never mentions draping/patterning sleeves to finish each sketch/assignment. Since sleeves make up 50% of any bodice pattern, this book only gives you half the information/instruction you need, leaving you hanging at the end with an unfinished pattern. Some seam lines are also in the wrong place/pitch for some of the periods - hence why, as a draper, it's always a good idea to double check your research before starting a project.
7 of 7 people found the following review helpful.
Excellent Resource for Costumers, Designers, and Sewing Enthusiasts
By E. Parker
Sharon Sobel's book is beautifully put together. It leads the reader step by step through the draping process, starting with customizing your own dress form to fit specific measurements (yours, an actor's, a customer's). The photographs accompanying each project clearly illustrate each step. And each section covers a different period in history, giving an example of both male and female clothing. The projects are easy to follow and this book offers the novice and the experienced draper an excellent resource.
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