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Modernity, Complex Societies, and the Alphorn, by Charlotte Vignau
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Modernity, Complex Societies, and the Alphorn provides a fascinating examination of the musical instrument the alphorn, alphorn music and its performance. Indeed, it is the first book about this extraordinary instrument to appear in English. It analyses the alphorn phenomenon as a symbol of the Swiss nation, going back to the Swiss nation building process in the nineteenth century and the “invention of tradition” which began in the second half of the nineteenth century, before arriving at important issues of contemporary alphorn practice such as: what is tradition? How is it being negotiated? The insightful and valuable comments from key Swiss alphorn players add to the extensive ethnographic and archival material.
Departing from this analysis, the case studies of Bavaria, the Netherlands, and Japan shed a light on the issues of worldwide migration of alphorn practice in the modern world, as well as on the diverse concepts of a Swiss imagery. Intellectually sophisticated yet easily accessible, the book ends with an exploration of how to use video and film for musical ethnography, considering the practical issues of filmmaking as well as the theoretical implications of shooting and editing for an ethnomusicological film. Drawing from the alphorn film as a sample, this book covers the entire filmmaking process, from the conception of the film to the feedback-sessions with the protagonists, providing fundamental insights into this technique for ethnomusicologists. Based on solid, careful, and complete research, this work will especially appeal to scholars of musicology, Swiss history, and filmography.
- Sales Rank: #3797468 in eBooks
- Published on: 2013-02-14
- Released on: 2013-02-01
- Format: Kindle eBook
Review
Retracing the life and times of the Alphorn, from the Alps of Switzerland and Germany to the Netherlands and Japan, this fascinating book shows how often “traditional” instruments grow and expand their reach beyond their land of origin. It has been studied for years how people migrate and carry along their bag of musical memories, and it has been largely understood how regional repertoires themselves are often capable of disengaging from their native surroundings and become transnational. Charlotte Vignau helps us further understand how single musical instruments, even those that originally support a strong national and regional identity, are potential migrants; and may find a second lease of life in the hands of people who are culturally remote from their original habitat. Indeed, through the Alphorn, Charlotte Vignau offers a wide angle picture of how rich and complex the world of music really is today. This is a book for anyone interested in the musics of the world, and in the processes of culture contact and exchange. (Marcello Sorce Keller, Institut für Musikwissenschaft, Universität Bern)
Dr. Vignau takes what might seem to be an instrumental curiosity and weaves around it a riveting web of inquiries about such things as nationalism, film, language, romanticism, ethnography and ultimately, the beauty of sound. A tour de force! (Michael Beckerman, Carroll and Milton Petrie Professor of Music, New York University)
This study combines ethnomusicological cultural analysis and interpretation with emphases on history and comparison taken from cultural musicology. The result is a systematic and convincing narrative, explicated rationales, respectful and fruitful relationship with interlocutors, and as objective as possible conclusions, which may be, perhaps, recognized as an exemplary offspring of how ethnomusicology is done in the EU context. (International Review of the Aesthetics and Sociology of Music)
About the Author
Charlotte Vignau lectured at the University of Bamberg, Germany and is most recently particularly interested in the various ways music, (video) film and representation intersect.
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