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Alice's Adventures in Wonderland, by Lewis Carroll
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Alice's Adventures in Wonderland by Lewis Carroll (the pen name of Charles Lutwidge Dodgson), remains one of the most popular pieces of fiction, enjoyed by adults and children alike. This edition includes a table of contents.
- Sales Rank: #115789 in eBooks
- Published on: 2013-02-09
- Released on: 2013-02-09
- Format: Kindle eBook
Amazon.com Review
Source of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without moral or sense.
For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie Coulter
From Publishers Weekly
wonderland revisited Spanish illustrator Angel Dominguez fills an unabridged edition of Lewis Carroll's Alice's Adventures in Wonderland with 75 watercolors, most of them closely packed with lush oversized flowers, strange creatures and winding vines reminiscent of Art Nouveau-often against bizarrely serene pastoral backgrounds. Exotic birds and animals, such as peacocks and zebras, wander through the picture frame. While the illustrations bring out the text's absurdity, pretty-in-pink Alice provides a counterpoint not of normalcy but of sentimentality.
Copyright 1996 Reed Business Information, Inc.
From School Library Journal
Grade 4-8 Many fine artists have illustrated Alice in Wonderland , notably Arthur Rackham (Heinemann, 1907; o.p.), Ralph Steadman (Potter, 1973; o.p.), and Barry Moser (University of California Pr, 1982). Like the others, Browne utilizes Carroll's full text, including the ``Golden Afternoon'' poem and an author's note about the Hatter's Riddle. As a tribute to Tenniel's artistry, most of the best illustrators echo his unforgettable drawings. Although some of Browne's illustrations borrow Tenniel's composition, for example the frog doorman and the fish messenger, Browne's hyper-realistic style and quirky details make them his own. He ably avoids the Disneyesque trap that many full-color illustrators fall into. His Alice, more ordinary and child-like, meets all of the customary bizzare creatures, including Browne's signature gorilla. Readers will enjoy discovering the odd details that Browne includes, such as the fish mustache on the marble bust or the club-shaped beauty mark and the pig-earred hat on the Duchess. Reillustrating a classic like Alice in Wonderland is a challenge. Many have tried, but only a few can match Lewis Carroll's brilliance. Anthony Browne is one of them. Karen K. Radtke, Milwaukee Public Library
Copyright 1988 Reed Business Information, Inc.
Most helpful customer reviews
404 of 418 people found the following review helpful.
The name of this review is called "Haddocks' Eyes"
By A Customer
I finally, and seemingly permanently, misplaced the 40 year old copy of 'The Annotated Alice' (which I had pilfered from my mother's bookshelf) for the last time. I can't go more than a month or two without it so I rushed to buy a new copy...just weeks before the more beautifully bound 'Definitive Edition' was published. No matter, now I have two (perhaps even three if the original turns up).
My point is that this book contributed more to my understanding of logic and wordplay than several semesters of college philosophy classes. If you've read this far then I am probably preaching to the choir but 'Alice in Wonderland' can hardly be classified as a childrens' book, dispite Disney's attempts to do so. The concepts Lewis Carroll and Martin Gardner bring to this tale cover such areas as set theory, meta-language, Aristotelian logic, topography, game theory, several pre-Socratic logic paradoxes, and even quantum physics. Yet John Tenniel's original illustrations remain as an welcome tether to the original publication.
Gardner does a wonderful job of bringing all the various aspects of these two stories together as he illuminates layer upon layer of meaning that might not be evident to an American audience or, for that matter, a 21st century one. My favorite gems are the French and German translations of The Jabberwocky.
This book ranks in my top five favorite books of all time.
167 of 173 people found the following review helpful.
The Looking Glass Shows Hidden Humor
By Ian
I always enjoyed the twisted logic and unique sence of humor that I found in Lewis Carroll's Alice tales, the only problem I encountered was that some of the jokes required information that was no longer common knoledge. For example: when Alice continually misquoted the old English nursery rhymes I found myself wondering what the actual versions were, information that every child in Victorian England could have easily told me but that has since been lost to obscurity. After reading through this book I found the answers to all my original questions as well as many that I never considered asking. At first I thought that the commentary would strip the original work of its character and reduce it to a lifeless shadow. I found that the commentary did exactly the opposite, in a surreal way it made the book even more entertaining to read. The incredible detail of the commentary and the wide range of topics covered made the comments themselves seem part of the insane illogic that pervades the realms of wonderland and looking glass house. This does not mean that the coments themselves are insane or illogical, on the contrary they are all intresting and many offer new insights into the books, what makes the commentary so entertaining is how the story of "exactly 7 and one half" Alice is juxtaposed with comments on how the structure of the plot relates to physic and Robert Oppenheimer. Altogether I found the Annotated Alice to be a wonderful read and a gorgeous book which I recomend to anyone who enjoyed the original tales.
137 of 144 people found the following review helpful.
Master of Nonsense
By Bryan A. Pfleeger
The Annotated Alice provides a treasure chest of information on the two Alice books and on the man, Lewis Carroll who was responsible for their creation.
Martin Gardner provides annotations throughout the texts of both Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There. Gardner's annotations help explain the inside jokes and mathematical and linguistic puzzles that fill the stories.
Reading the Alice books as an adult is quite a different experience than it was as a child. The books' complexity really stands out on a careful reading. In fact, what are generally regarded as children's stories can be amazingly frustrating to read due to the complexity of the language and the almost constant stream of puns that are sometimes lost on modern audiences. One must remember that the stories are told purely for fun. Unlike other Victorian children's literature one gets no morals, plot development, or character development here. Alice is a yound child who stays a young child throughout her adventures. She neither matures or learns anything from her adventures.
This is a very nice volume in its own right. It contains complete authoritative texts of both books and includes the supressed episode "The Wasp in the Wig." The original Tenniel illustrations are crisp and clear. The only difficulty is that the annotations are placed on the same page as the text in a small column that sometimes supplies more information than the text itself. The annotations themselves range from the definitional to the clearly eccentric. One can read all of them or only the ones that he or she is interested in.
On the whole this is an excellent volume well worth the effort to read if one has any interest in the world of nonsense literature.
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